How Do I “Do Diversity Right?”

“It didn’t even seem like they noticed,” she said to me.

We had just finished putting our apartment back in order after some friends had spent the late afternoon with us. E and S had put up much less of a struggle going to bed than I had anticipated, given that it was much later than usual and that the hyperactivity of entertaining company had not yet worn off. S had no doubt exhausted herself by trying to defend her territory against the other young girl who had come over (never mind the fact that the other girl was six months S’s junior and had very little interest in fighting). E, meanwhile, had pushed through the initial focus on the two girls and used up his energy convincing all four adult males to play board games with him.

“I mean, I’m glad they didn’t notice,” T added. “It’s just interesting; I don’t think we’ve ever had any black friends over to our apartment before.” Continue reading “How Do I “Do Diversity Right?””

Eavesdropping on a Young Singer (or, What Makes “The Greatest Showman” Great)

I’d just come in from the kitchen to put my lunch in my bag when I heard it. It was soft, so much so that I almost couldn’t make out the words. I placed the tune immediately, though, and the words became clearer soon afterward.

“When the sharpest words wanna cut me down… I’m gonna send a flood, gonna drown them out…”

E was sitting at his table, building a Lego set or drawing a picture or working in his summer math book. He was completely engrossed in the task at hand and didn’t even notice that I had come into the room, let alone that I was listening to him singing to himself. He worked quickly, his eyes darting back and forth from the instructions to his manipulating fingers, his voice lilting ever so slightly as he sang each line.

“I am brave, I am bruised, I am who I’m meant to be. This is me.”

I smiled broadly and returned to the kitchen so I wouldn’t interrupt him. Continue reading “Eavesdropping on a Young Singer (or, What Makes “The Greatest Showman” Great)”

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